Note to Self:

Note to self:                                                  JJS 31/8/15

I remember the rationing of sweets.
I recall clothes coupons and the last
days of the lamp-lighter in the streets.

will always see the cattle-market
and the off-loading of steers
and chickens in crates,
lines of rabbits cooped in small runs,
barred squares for pigs to squeal and cast.

still hear the steam of the panniers
as they fill their water tanks
or sit panting as their bunkers
clattered with the filling of coal.

feel face pressed, ears squashed
by the railings as we angled our heads
for the first glimpse of the mainline,
be it Manor or Castle or King
blasting under the bridge to scatter
smoke and ashes into its roof
followed by a plume bursting
out of the arch into our faces,
stealing breath as we shout to each other
the name and number of the fine green
Great Western.

Us kids
playing cricket on a makeshift wicket
with the line of poplars as screens,
squared by the fence to the railway line
and the dotted jerseys with bikes between
that covered the other two sides
like morse.

The dad, the umpire, the one-step spin bowler
who taught the rag-tag teams to ask for middle and leg,
aim for square-leg,
field at short-leg and chase to long-leg.
Hours in the summer evenings, it seems to me now,
when a dozen or so yelling boys imagined a Test
and the one-legged hero disdained any rest.

The marching band, slowly trudging in step,
medals pinned to the chest of faded coats.
Ex-servicemen, exercising their right to walk in the gutter
and play their music as reminders of their need to work.
Processing the High Street in the wind and wet
to collect sympathetic coins for past wars.
And now we know, now I know,
this fantastic memory was not all it seemed
for beneath those coats, as time wore on
the suits would gleam.
Who cares, not me, I see a line, a troupe of heroes
and hear the brassy, drifting sounds of jazz.

The kaleidoscope of memory, of shifting childhood:
Pick out the moment, the good, the woes.
Or rather sift and layer, savour and balance them out
to place them carefully and wherever they land tread softly
for they may never return.

Orwell Prize for Political Writing, 2015: James Meek

Yoy may well have seen this reported already. As it is in this blog’s  headline you need not read much more but go straight to the Guardian’s page where it is reported in greater detail:  Guardian, Orwell prize

Simply, James Meek, a novelist, has won this year with Britain, Private Island.    published by Verso at £8.99

Thats it then, off to the bookshop!

A Tate Modern view and St. Paul’s

St PaulsSwirl 6x4 crop
a view of St Pauls photo by Wordparc

The view across the river, towards St Paul’s from a balcony at Tate Modern.

 

The ‘Matisse cut-outs’ was the exhibition of the day and plenty of people were queuing their way into the display rooms.  The booklet received on entry was an ideal brief introduction.  As you would expect it was repeated on panels around the rooms but the booklet was much easier to read as you entered each section. The rooms were arranged historically so you could see the developments of Matisse’ ideas and technique.

The first entrance was nearly blocked by a group of a dozen smallish children kneeling on the floor eagerly copying the first few ‘pictures’.  I hope they had enough paper to carry them through all the images they found further on, much better ones too.  I tried writing a whistle-stop tour  for this page of what was there but fell too far below a satisfactory description and have to recommend you buy the book on the exhibition.

As we went round I was struck by the volume entitled ‘Apollinaire’ with cover and prints inside by Matisse.  Apollinaire was an artist who was producing typography as an illustrative art form and envisaged books of this and other new styles appearing, making quality printed art-books available for subscribers interested in the modern art styles then breaking out.  It seems Matisse was disappointed with the results for his part of the contents as the actuality of the printed finish was that the 3D effect of his originals was lost. For him the layering of his brightly coloured  gouached papers was an important effect.  Several films helped by showing his technique  He was enthusiastically creative despite his age and need for assistants.

Walking round brought a few other names to mind: an early sort-of Rothko, a similarity but Rothko is an artist I am also quite fond of. This raised the memory that I like Mondrian’s work and of pointillism, too but I could not recall the name of the artist that developed it.  Not sure why they cropped up except that seeing Matisse’ works in the flesh, as it were, stoked up my own enthusiasms for various other artists and styles.  Those visits will have to be another day.

tate extension02062014
tate extension, June 2014 photo by Wordparc

From a Tate restaurant balcony I took the photo of the new extension being built.  Quite a nice balance to the solid design of Tate Modern and much needed for the seemingly ever enlarging artists’ concepts. Not forgetting the growing army of artists whose time for immortality may have arrived. Time will have to judge the survival rate.

Across the river and into the streets.  Over the no-longer swaying Millenium Bridge (shame really as the effect was a little like walking a long gang-plank onto a barge but it was closed for strengthening to stop the movement. Many thousands must have crossed that moving bridge but a small number compared to those that have used it since)  and home via the Underground.

A few weeks later I was visiting a local primary school and looking at the children’s art and written work on the classroom walls.  Always instructive and fun.  There, in one of the square cloakroom areas, above the hooks with their personalised name tags, was a poster on each of the three walls. One for Matisse, one for Mondrian and one for Seurat. Surrounding each poster was a fantastic selection of children’s work in the style of each artist. I was pleased to see that I had eventually guessed correctly at the artist for pointillism, but highly impressed that this work was the result of children that had visited the Matisse exhibition.  Not so much the quality of the work, I know how good eight and nine year-olds can be, but the fact that the school was able to arrange such a long-distance trip to the Tate Modern, not such an easy journey from this small town.  I expressed my surprise but was told that they regularly took groups of children to galleries National and Portrait plus assorted others as well as museums.  Also, it was actually quite easy and the children had a great time and the benefits from the trips lasted some time through their work back in school.  Just like it is a normal part of a school day……

Wow, I remember doing cutting and collage in my Infant classes but we never got the chance to see real art, as it were.  But then, when I was in primary education the Tate Modern was still a working power-station!

Semantics algorithms for ebook publishers?

Well, here’s an interesting link to set the blood a’flowing:

semantic algorithms to help publishers sell more books

This links to an article in BookBusinessmag that highlights the possibilities with ebooks  and the use of predictive analytics to increase sales.

Once upon a time you would write a book, someone else would publish, another print and yet more: the author and booksellers and reviewers would help get it into the hands of readers.  Word of mouth being another creditable method of helping to sell (or not) a book.

Arrival of the ebook!    Of which I am a partial fan for its applications in confined spaces whilst travelling very long distances.   Well strictly speaking I have never read a book as an ebook so my uses for one are hypothetical, I suppose.

But I have read many online or offline articles and journals on netbook at home, in numerous different rooms of the house, so the principal has not escaped me.  I truly recognise the increasing yearly percentages of ebook sales.   The ownership and uses of handheld devices are continuing to expand as are the subject areas and quality of content.   Ebooks can be downloaded almost anytime and read anytime, anywhere.  Fidelity to academic texts’ print content is now able to be remarkable, as is also found in some areas of childrens publishing.   Note-taking, page-marking developed already. This was once a failing in ebooks for students but not always now in new publishing.

I must point out that I see ebooks as having a serious place in the current as well as future marketplace.  The current I would suspect is fiction by a large way but the future is still wide open as the youth versus elderly mix blurs over time and becomes, like mail-order, a high-quality norm for all sales.  Though to a percentage. Uses and need for the physical and tactile book will always remain but for how long and how big will be the interesting finale.

The point of the link above is that parallel to the huge content improvement in ebooks, is the need to engage with and pursue the world of semantic analytics in order to develop full marketing potential for books.

This would appear to be done with ever greater sophistication in some retail and insurance companies and in sports arenas. Using and refining collection of data and algorithms is the next step for the publishing industry in the eternal need to keep its product in the best possible position to sell.

Sadly I am not a technical person, nor one that pushes at the boundary just to see it snap but even with the dear old Amstrad you could see a better way of communicating knowledge beckoning.  If it is there and sells more books, more knowledge (whether it is fiction, poetry or the A-Z of all subjects) then like data-mining, cloud-computing and any other recent trends that have become vital, it needs to be embraced.

The problem is, where will it leave the medium, small publishers and self-publishing authors.  I hope they will be able to swim with the tide of personal appearance at festivals and bookshops with hard-cpy books(!!) and social networking as well as being on ebook sites. People will read their work it will be harder to sell in quantity, but it ever was…..

Like the small-scale in the film and music industry the small-scale in publishing will have to be faster and creative in finding its market, its sales.

Oxford Primary Grammar, Punctuation and Spelling Dictionary

The current buzz for Primary Schoolteachers and children is this title from Oxford University Press:

Published in 2013     priced at £10.99   paperback        978 0192734211

ox pr dictavailable via Amazon

Aimed at the 7-11 age learning grammar, punctuation and spelling rules with a 62 page dictionary combined at the back. The dictionary element also contains boxed tips on the common errors made.

This is an Oxford Primary Dictionary with so much more valuable content.  The introduction says the pages are designed to make it easy and fun to use.  Terms and rules explained in simple ways and help on how to avoid the most common errors.

And that is exactly what it does in a good format for children to use alone or sharing at a table, or most likely, for the teacher to use with them or via whiteboards.  Colour coded sections for Grammar, Punctuation and Spelling.  Explanations, examples all clearly given and easily understood.  The spelling section leads the reader on beautifully from vowel sounds to spelling rules….. and exceptions……., prefixes,correct use of apostrophes, homophones and homographs and different spelling groups, not forgetting suffixes….  In fact I have missed out several parts of the contents of this book but I am sure Oxford University Press havent.  Praise should go to the publishers for such a clearly informative book offering a touch of lightness for children and teachers who now need to get a full grip on these  basics of English language.

The cover offers online support and I have  linked this below:

For children and schools – Oxford Dictionaries

You start at the top of the page and scroll down to ‘free dictionary resources’ and then ‘childrens primary’  to click and scroll to the image of the book.     Resources are specific to the book but many are available on this site to cover other books in their range.

The publishers thank the primary teachers and schools, educational consultants and grammarians involved in compiling the book.  To create something that is so ‘usable’ via so many hands is also a credit to the editor involved at O.U.P.

You dont have to be young or a teacher to use to use this book.  Any age in need of boosting their knowledge of grammar and spelling should take advantage of it.  Whether in learning English as a new language, a writer wishing to keep on top of the game (rather than breaking the rules) or just refreshing a mind that has forgotten or never really knew.  Here you can easily understand the difference between the colon and semi-colon which, with the apostrophe seem to be major stumbling blocks.  (In case you ask, I am in favour of saving the semi-colon).

Well, I have no excuses now!

Costa Book Awards 2013: winners announced

Costa Coffee Book Awards announced on 6th January the winners in the five categories of: Novel, First Novel, Biography, Poetry and Children’s Book.

The five winning authors will now await the verdict for the 2013 Costa Book of the Year Award.

2013 Costa Book of the Year will be announced on Tuesday 28th January.

The five category winners are:

Novel Award:  Kate Atkinson     for  ‘Life after Life’

First Novel Award:    Nathan Filer  for   ‘The Shock of the Fall’

Costa Biography Award:    Lucy Hughes-Hallett  for    ‘The Pike’    – life of Gabriele D’Annunzio

Poetry Award:    Michael Symmons Roberts   for   ‘Drysalter’

Children’s Book Award:   Chris Riddell   for   ‘Goth Girl and the Ghost of a Mouse’

Further details of prize, short listed and panel from the costa website link