The Easternmost House

By Juliet Blaxland A Graph Review

   
Paperback, mine priced at £9.99.     Published 2018 by Sandstone Press
244 pages, with b&w photographs and one line drawing.

‘Contents’ Containing:  Influences, the twelve months and a Tailpiece

Moving smoothly from beach combing, collecting orange buoys to whirlwinds, to sandstorms and natures ways of changing sand/land patterns to murmurations of those taking photographs of said murmurations of starlings, to  brindle greyhounds and camouflage, leading to bitterns (not being seen.) All in a few beautifully written pages in ‘March.’ This being a brief summation of the style of Juliet Blaxland in ‘The Easternmost House.’

Admittedly you must love the luxury of detail of life and all that exists in and around a landscape on the edge of a sea-savaged, soft-cliffed, coast. Suffolk, of course, is the particular but you will be charmed wherever you come from.
A remarkable writer using a monthly calendar to give a glorious use of personal memory and visual description of the year in Suffolk.

Words flow like coloured ribbons and you need to accept the seeming wayward amble they take you. For they take you to the heart of living and nature.

The quote on the cover by 
John Lewis-Stempel: ‘Destined to be a 21st century classic. Just brilliant.’
Agreed! No more to say!

Making a Move

Making a Move (January 2023):

One of the difficulties I have these days, is travelling far enough to find a new landscape. Not only
that but a new people-scape too. Admittedly the Covid restrictions are historic enough and I have been triple vaccinated to enable me to go wherever I desire……… in the U.K. that is.    Sadly, the problem is that my desire was weaned away by lockdowns and circumstances. Including the approach of darker wintry days squashing my plans for distant moors, hills and Highlands!

Who am I kidding! It is only my laziness and unlikely concern that I might become stuck, isolated, with a re-occurrence of assorted foot and leg problems that made walking almost impossible three years ago.  I realised this morning, whilst walking the dog, that I can now manage a fair 60 minutes and more of casual walking.  This length of time, plus the ability to drive, would allow me freedom to visit places relatively easily.  Maybe not the spectacular places I have been considering, and failing, to visit over a lifetime, but seemingly more mundane places like downs and forests.  Perhaps I should make a list of poet’s places (there are many walks and ways listed by Societies) and start by heading that list with my main friend John Clare and make my way to Helpston.  Which I do, but have never really trod any of his countryside routes.

Currently the Langdyke Countryside trust is managing swathes of Clare’s famously written-about walks and views. They are helping to reconstruct some of his scenery, not purely as a homage to him and his writings but also to reinvigorate the wildlife and all forms of flora. From the old (rare) orchids now reappearing, to the trees and reeds of soon to be reconstructed wetlands.  Fens, at least partially would have been a regular feature of his nearby landscape.

Indeed, Langdyke are encouraging a county-wide promotion of re-managing and have recently helped co-ordinate the Clare Countryside ambition of several groups and councils.

So there I should start: Southey Woods, Royce Woods, Swaddywell and all those places of minute interest to Clare around Helpston. Additionally I could make a trip to Epping Forest. High Beech specifically, where Clare spent a couple of years at a private asylum. Interestingly, Tennyson was there at a similar time, staying at a different house. Also, some hundred years later, (approx 1916,) Edward Thomas and his family were living in that village whilst he was in the army.

This gives me three reasons for visiting High Beech. I am not going to delve into all the other literary reasons for visiting Epping Forest, three is plenty. Come the spring I might follow Thomas to Steep and his travels round the countryside, following his connection with the Dymock poets, likely right up to the Malvern hills. But that will have to be a planned journey of a few days not a brief foray for one.

From my armchair, I have my excursions outlined for the next few months, weather permitting. I will have to take my waterproofs, boots and other precautions but most importantly I must plan and go armed with appropriate poems to read. 

January 2024:

Having posited those thoughts, I have yet to set foot in any serious direction. I still have a nostalgic wish that I had discovered the path of Offa’s Dyke before it became a well-worn visitors track (comparatively). I have the two books signposting the way, bought maybe thirty years ago, and not even thumb-worn.  But I am secure in that I have been reading Clare and Thomas, Frost and Lawrence, plus a quantity of other poets that offered me their knowledge, with the privilege of accompanying them on their travels and viewing through their eyes scenery I may never see.  But then, Clare Countryside is still a close attraction!

Fame on my shoulder

1966 finders keepers
1967 to sir with love
1967 you only live twice

So it seems, from the dates of the above films’ release(?) that LIn and I were invited to visit PInewood Studios in1966. This being a guesstimate that all three films above were being filmed at the studio in 1966, assuming the last two needed more editing time than ‘Finders Keepers.’

Lin’s uncle, Ted Sturgis…….   (Bridge on the River Kwai, etc) was assistant director on the film, To Sir With Love and had arranged for LIn and I to visit the studios to watch some filming, and meet Cliff Richard on the set of ‘Finders Keepers.’  This happened. We arrived on the ‘stage’ and watched as the Shadows and Cliff had a run through of a number. I think the set was a mock railway, on flat-bed trucks, with people jumping off as music played. We were watching at the dark edges of the set as they did a repeat. Afterwards, Cliff came over, said hello, and the chat might have continued longer when Ted arrived and said we might like to move to another set where they were having a scene run-through on ‘To Sir, with Love.’   We made a move, with Cliff accompanying us.

Very quickly we walked through to another stage. The message we had received must have been filtered round other sets too because we were towards the front of quite a crowd filling the space around the highly lit scene. I seem to recall the set was of an office, raised on a small staging. Design or luck, this meant that we could see the two actors more easily. (Maybe I felt that, just because I was taller than average in those days).

On set were Sidney Poitier and Lulu. We watched quietly as they rehearsed a very short scene. It was likely no more than a minute. At that moment there was a movement to the right of my shoulder. I looked round and saw people parting and a man walking up to my side.  ‘He’s very good, isn’t he,’ he whispered to me as he stopped and we watched the two actors rehearsing on stage.

So there we were, Lin and I, watching Lulu and Sidney Poitier on set, as we stood side by side with Cliff Richard and Sean Connery.   Not exactly my moment of fame but a famous moment that I am very happy to relate.

Amy’s Christmas Story

It’s about time someone else got a foot in the door. Or, a word in edgeways, to be more accurate. I know I said ‘About time,’ in my head as I smiled and said. ‘Okay, thanks,’ and accepted the offer to tell a story about a Christmas party. Every month we do this, one of us invited to tell a story and then we sit around mulling it over. Dissecting the line, its value, and go away and write one of our own that matches, prequels or sequels, or whatever.

I am not usually like this but the nearer it gets to Christmas… Well, it’s a story, I suppose. My turn now. A few hundred words to read to the group.

‘We were drinking cocktails at the time. Being precise, they or rather, it, was a ‘French 75,’ for the first time. Champagne, gin, lemon, and sugar syrup, if you want to know the contents. You’ll have to find the formula yourself or just keep tasting it until you get it right or it knocks you out

That was after the espresso cocktails, as he called them. Something like that, anyway. I don’t drink a lot but if I get offered something I like, I tend to drink it. Okay, them. Yes, I do mix things but I try not to get legless, or brain dead. Both have happened, mind you, but the worst is chucking up. The worst,  ‘toilet-head’ is not me, except for once.

I’m quite a big girl. You know me, above average in most places and I do find it hard to fit in.  I find it difficult to talk to people until I get to know them. There are regulars in the library, mostly older women or mums with children. Often children on their own, up to about ten, then they stop coming. Reckon they stop reading.

I still read a lot, think that’s working in a library for you. Or maybe why I work in the library. You probably know I’m a writer, a scribbler, a wanna-be hack without the smallest of success, yet.   But I am still young and got the need to write, like all of us here.

Back to the beginning. We were in the Conservative club, of all places, where the sitting MP was doing a Christmas buffet for the town’s party members.  Quite a number altogether. Not me!  I was standing out like a sore thumb, like a nun at a party. Well, a goth at a party of Conservatives! It was the 23rd, yes, the 23rd of December.

‘He,’ was PR Joe. That’s what I called him. He had been a feature of the library for a few years. Always asking for books we never had. Textbooks on marketing, on psychology and business and all that sort of stuff.  It was usually me at the desk when he called-in to ask for, order, or collect  all those odd books. So he’d chat as I sorted and scanned them.  I learned a lot, about him.  He was at college, then an evening course followed by training courses etc. etc. I was interested enough to listen but not to care.

He was okay. Nice eyes, okay smile. One of the few blokes who spoke to me.  He had casually invited me to the party, so I accepted, just as casually. Anyway, at the club, he, Gerald, was something or other to this MP and was able to free-load at the do. Well, he was gladding me up by ordering these cocktails.  He might have been getting a bit tipsy. I certainly was, admittedly, and know I was snuggling up to him a bit.  The drink, it was the drink. They were strong.

Anyway, we kept sort of moving out of people’s way, along the bar. He was moving forward into me, so I hesitated backwards. Eventually, on the third, no fourth cocktail, I found myself stuck in the corner with him, Gerald, pressed into me.  As I said, I’m quite big, and tall, pretty sure of myself but quiet. This was the first time I ever felt intimidated and I had no sensation of its approach.

I suddenly felt trapped but stood there, a smile fixed. Drink in one hand and the other raised, palm flat, on the lapel of his jacket intending to move him away from me. Instead, he pressed forward and I could feel my own hand trapped, pressed to my chest. Felt my heart pulsing harder as I got more anxious at my predicament.  I reacted, looked away as I felt his lower hand fondle my hip and slid round to my belly when I didn’t move. I was frozen, my eyes trapped in his again, mind-fogged, stuck. Too dazed to react but suddenly almost sober.

‘You are so beautiful,’ he whispered. I looked back at him, he didn’t notice the daggers. I jumped as his fingers spread to my groin, hit my head on the wall as I instinctively tried to get away.  Him or the drink? I was feeling dizzy.

‘Are you okay? Do you need some fresh air?”

I felt the hand move, the pressure on my chest lessen and fall away. I was able to turn my body as well as my head toward the voice. That headlight feeling still had me. I recall screwing my eyes, swallowing and give a smiling yes in a croaky voice as I re-opened them.  That man’s, Gerald’s, hand slipped away and I turned and faced the new voice fully. I recognised her as Milly from the Writers Circle.

“Yes, please.” Was all that escaped.

Milly took my drink from me, took my hand with his other and just led me. Helped me through the noise of people, into the foyer. ‘Do you want to go outside?’

‘Home, I just want to go home.’ That was all I could say. All I could say.

It’s not a big town. I had walked to the club. Milly walked home with me. Side by side, silently, sympathetically, still holding my hand. She offered to sit with me, I said thank you to her before I shut my front door.

I went into the kitchen, sat on a chair. Sat.  Then just banged the table as hard as I could as ‘fuck, fuck, fuck,’ crawled out of my mouth and tears finally fell.

And that’s my Christmas story, from five years ago.’

short story by Amy, discuss.

Journeys to Helpston

‘Journeys to Helpston’ by Alan Cudmore

This is a short paperback recently published by Alan Cudmore on Ronald Blythe and his long association with John Clare, Helpston and The John Clare Society.

At Ronald Blythe’s hundredth birthday event in Sudbury, Alan Cudmore was recognised as Ronnie’s oldest friend, to which Alan was happy to admit, having first met Ronnie in 1951.

IMG_2278

The book:  JOURNEYS TO HELPSTON, Ronald Blythe and the John Clare Society is available via the Sales Officer of The John Clare Society, price £5.00 plus £2.25 postage.      www.The John Clare Society

The book has several b&w photos, two colour plates and several b&w line drawings.

Contents covers a resume of Blythe’s life, more specifics of his family and his start as a librarian. Following this, of his becoming a writer, how he ended up living at Bottengoms Farm, Wormingford and his love of Suffolk and areas of East Anglia. Of the friends he made while living near Aldeburgh. His deep and passionate involvement with the beginning and years of The John Clare Society and his regular visits to Helpston, the Festival and his presidential addresses.  We read about the suggestion and subsequent placing John Clare in Poet’s Corner, Westminster Abbey plus brief ‘reminiscences’ of others such as Edward Storey, Mary and Peter Moyse and Trevor Hold to name a few.

Not forgetting there is a list of the 35 books written by Ronald Blythe, including the favourites: ‘Akenfield’ and ‘At Helpston’….. but I shouldn’t limit it to those two….. because I really must include his latest volume: ‘Next to Nature.’

This brief outline does not do justice to the knowledge and detail contained in this short book about Ronald Blythe, a cornerstone of The John Clare Society.  I thoroughly recommend it to all interested in the Society and connections to its history, as well Ronald Blythe himself.

 

 

David Smith

George and the Dragon. A short, short story

George got out of bed and looked out of the window. What would he do today? Yesterday he saved a pirate captain from being eaten by a crocodile. The day before, he had flown his space-ship and defeated the alien fleet. On Sunday he had climbed and chopped his way through thick trees and brambles to rescue the dinosaur egg from the sleeping witch.

What would he do today?

He looked out of the window.  He saw a dragon.  The biggest, angriest dragon he had ever seen.  Not just big, not just green and red but enormous. A big, big body with a bottom that sat on the house opposite, a foot in the pond and a long neck with a big, lumpy head that rested on a car.  The dragon looked at George.  The dragon had big red eyes, looked at George and blinked.

George looked at the dragon and smiled.  “I can fight a dragon today. Hooray!” he said out loud.

The dragon heard George and sniffed a snort and turned his head towards the window to look at the boy.

“Oh dear!” he said with a sigh.  A sigh that pushed out black, smelly smoke which drifted over to George and made his window all sooty.

George dressed quickly, put on his cloak, picked up his sword and shield.  Put them down again and went to the toilet.  After drying his hands he picked up his shield and sword and marched down the stairs.

The dragon put an eye close to the window and looked, through the soot, as George got ready to fight.

“Oh dear!” sighed the dragon again.  This time the soot from his nose made the wall of the house all black and the glass of the window thick and sticky like black glue.

“George, you must have some breakfast.  You should not fight dragons on an empty tummy.  Have some toast and milk first.” said his mummy from the kitchen.

So George sat down with his cloak upon his shoulders and his shield upon his arm and his sword on the table, ready to fight.  He drank milk ,as white as falling snow.  He ate a slice of toast as black as dragon’s breath, with jam as red as dragon’s eyes.  And a packet of crisps as crunchy as, well, a packet of crisps.

With his other eye the dragon saw all of this.  “Oh dear,” he sighed and a tear rolled out of his eye and rolled down into his big black nostril.  And he sneezed.  The whole street was covered in black, like glue, like dark toffee, but not so nice.

“Oh dear. Oh dear!” said the dragon and sighed as he pulled out a great big hanky, as big as a double-sized bed sheet, from under his wing.  The ghastly coloured dragon, with scaly green and yellow body, huge red eyes and nostrils puffing smoke, wiped away all the mucky black, sticky goo from off the house.  Cleaned the windows, wiped the door and polished the car.

George finished his breakfast and grabbed his shield and sword and walked to the front door.  He was just about to open it, to fight the dragon, to chase him away, when he heard the noise outside.

There was a swishing, a banging, a clatter and a hiss.  Steam came in, under the door, through the letterbox and the cracks in the floor.  There was a clang and a cough and a sigh. Then silence.

There was a flapping outside as the dragon stretched his wings to tuck his hanky away.

George stood with his hand on the latch, thought he would just take a little look, then go read a book.  The dragon licked his lips and sat quietly waiting before knocking on the door. Tapping everso lightly.

George opened the door, shield and sword at the ready.  There stood the postman with green coat flapping in the wind, bag tucked under his arm and red van at the roadside.

“You’re no dragon!” called George at the postman.  The postman stepped backwards.

“Oh dear!” he sighed and wiped his nose with a dirty, smoke-stained hanky,  “I’m too old to be a dragon anymore,” he said gently.  Gave George the letters he held in his hand and went back to his van.

George watched him leave.  The van gave a snort and a belch and smoke filled the air as it moved away and up.  Circled twice round the house and with a toot of its horn flew towards the mountains far away.

“Now what shall I do?” said George with a sigh.

DJS     fiction

Our Sister Killjoy

Ama Ata Aidoo. First published 1977 This cover is of the first edition in the Longman African Classics series, published 1988 in paperback only.

The observations of a young woman from Ghana, Sissie, who travels to Europe with a degree in English Literature and travels first to Germany and then to London.

This prose poem, nearly fifty years after it was first written describes first impressions of a strange world: the German language, a mix of fellow travellers on the course, in addition to a German woman who befriends her.

In London she meets other Africans who moved there for work or their education and felt unable to return home due to their apparent obligation to earn money and send that home to support relatives.

During these journeyings we see through her eyes, read her thoughts and words, discover her surprise at what she finds and at times her naivete. Throughout, she talks and argues on points of colonialism, feminism, and the need for the educated diaspora to return to their home countries to help build their independent countries. Varying from her forthright youth and conviction on a subject, she balances the writing with a calmer view of observation on herself and surroundings, and an opposing argument. In the ‘London’ section, she gives voice to those making the common decision of remaining abroad and sending financial support to families in Africa. She is also reminded of the ‘kudos’ of having a relative living in Europe. Pros and cons of this life take turns. A culminating ‘discussion’ towards the end of the book is both fiery and having elements of debate. Tucked neatly through the pages are quiet moments of reflection and softer touches of life such as how she negotiates others and herself in the second section titled ‘The Plums’

This book may have been written long ago but has been an intriguing and influential prose-poem from the first. I believe this is still a text studied in Ghana and Africa. I hope it is studied as a ‘Literature in English’ text and in English/ International courses. No doubt still valuable in Sociology and Post-colonial studies. The book needs to be read as a whole, but for me, the poetry sections, which fit perfectly but frequently change the pace and tone of the ‘story,’ are the highlights. Okay, I may have been around when Longman first published the book (a series started and run by the brilliant Anne Walmsley) but it has taken me 35 years to read this for the first time. I have read it start to finish in almost one sitting. I just wish I had read it sooner

Check out the other works by Ama Ata Aidoo. You can also read her biog. details on this site: https://literarymama.com/articles/departments/2016/02/a-profile-of-ama-ata-aidoo-draft

Incidentally, I did read Lamming’s, In The Castle of my Skin (hardback) and Selvon’s, Lonely Londoners (Longman Caribbean Writers) when they were first published by Longman all those years ago. They are also still high on my list of recommendations of classic books to read.

Ronald Blythe and Akenfield

Ronnie Blythe was 100 Years old on 6th November 2022

I was able to attend the Suffolk Poetry Society’s celebration of Ronnie Blyth’s ‘Life in Writing’ event at the Friend’s Meeting House, Sudbury on 12th November 2022. This was in various small connections on my part, not having ever met Mr Blythe, and likely never will. No, my tentative connections first happened as a new entrant to the world of publishing with Longman in 1969.

There, I was in the sales office, designated to help in any way John Dracott, the newish sales manager thought useful. Moving on from the various interesting bits and pieces I did, I will highlight the early days of Longman ‘representing’ the hardback side of Allen Lane Penguin Press. You may have guessed, the most memorable book was at the meeting to show, explain and encourage the sales people (reps) to sell ‘Akenfield.’ In my mind it was, and still is a wonderful book which flows on from the likes of Hammonds’ ‘Village Labourer’ or Hoskins book on Local History. Both widely used as student texts and ‘general’ readers for the growing interest in country life and history. Akenfield was a large step away from both. Blythe wrote with huge personal knowledge and love of the countryside of Suffolk, its hills, valleys, nooks, people and places. Churches and the Church being a great part of his life then and up to the present time, though he has, apparently, drifted into a period of serenity now. He is cared for by a wide group of friends.

These friends, from all areas of his associations and writing arranged this celebration. He wrote a total of 35 books, including two novels and one poetry collection. We watched excerpts from an ‘SPS’ format called ‘Desert Island Poems’ where he was the first formal castaway. Additional readings from his books: A Year at Bottengoms Farm, The View in Winter, At The Yeoman’s House, and a section on the BBC from The Age Of Illusion. For all his life, Ronald Blythe has lived around Suffolk (not strictly true, as Bottengoms Farm is apparently, literally, just over the border in Essex. but the view from his window is Suffolk!). Born in Acton, near Sudbury, he is a Suffolk man through and through.

This was supposed to be a note on my connections, it has turned out, quite rightly, to be my encouraging you to read copies of his books, not forgetting the very new book on Ronnie Blythe and his writings by his friends Ian Collins and David Holt: ‘Ronald Blythe: Next to Nature’

Oh! How am I also connected? He was for many years the president of the John Clare Society and gave many memorable ‘president’s address’. All before my time as a visitor and member of the Society. Another is that I am chatting with Alan Cudmore, probably Ronnie’s oldest friend, who is local to me and is writing and producing a book ‘Journeys to Helpston, Ronald Blyth and the John Clare Society’ for his own and the John Clare Society’s exclusive use. Which should be available from the Society in early December.

You may consider my connections to Ronald Blythe somewhat slim. I, however, am quite proud to have had a little involvement (indirectly) in his life and writings, from early to later in his life.

CD Review: Melodys of Earth and Sky. Toby Jones reading John Clare, music by Julian Philips

Kate Romano on Clarinets, Ionel Manciu on violin

poetry editor, consultant: Simon Kovesi

Melodys of Earth and Sky: Album launch at the Stapleford Granary



Date, 31st March. Arrival time, after 18.00 for a glass of wine and usual chatter, plus the opportunity to buy a copy of the NMC album before an 18.45 stroll upstairs to the performance room.

As a first-time visitor to the Granary, I found it easy to get to, easy to park and a lovely bright and attractive venue. The walls highlighted with a selection of fascinating prints.

But back to the launch: About fifty of us settled in the large room with a vaulted ceiling.
We were welcomed by Simon Kovesi with a brief rundown on the original idea of celebrating John Clare’s first book, ‘Poems Descriptive of Rural Life and Scenery’ and how this element came about in conversation with composer Julian Philips. Coincidentally Julian had been pondering on Clare and his folk collection. Long story short, it became a collaboration of Clare words connected by compositions Julian based on nine of the folk tunes Clare collected. NMC completed the idea by recording all for the cd.

A selection of 9 refined from his 263 collected tunes (‘In a good musical hand,’ Julian noted) to fit on the cd, between the texts. The ‘texts’ are read by Toby Jones, a long-time admirer and reader of Clare, (as was his father), so it was particularly pleasing that he was able to be there, completing a full cd line-up.

So, we had Toby Jones, Ionel Manchu and Kate Romano entertaining us with thrilling words and music for an hour. Sections being introduced by Julian. Not all the cd content, but almost. As Toby read, each following music traced the mood of his words through such varieties of love or storm or humour.

Personally I found the words and music integrated beautifully. Toby’s readings brought out the beauty, quality and variety of Clare’s words whether on Eternity, First Love, Thunderstorms, Toping, A Mother’s Advice, or Gypseys. Finishing with an excerpt from August ((Shepherd’s Calendar) 
These exceptional readings were separated by violin and clarinet, playing with and teasing each other in Julian’s original settings of: Garden Gate, Young Huzzar, Morgiana in Ireland, Polka, I’ll be Married on Sunday, Morgan Rattler, and finally three hornpipes merged into one.

Apologies for listing lists but space is short.  And each item is valued in itself to create a brilliant evening. Okay, I have to add a side-line here: The hornpipe, the finale, might well be my favourite as it was using the bass clarinet throughout. I especially like hearing and seeing the bass clarinet. But don’t tell anyone.

The whole evening was tremendous, so glad I was able to sit in the front row. Yes, I would happily see it all again and am delighted to have the cd with its additional music and text.

CD, £12.99,  available direct from:  https://www.nmcrec.co.uk 

David